A Tin of Bon Bons
Some time, somehow in the years after Mémére's death this lovely tin came into my posession.
I do not know its provenance. I believe it once held bonbons, and quite probably came from Paris for one of her grandsons was living there when I was a child and he was generous and frequent with his gifts.
How Mémére loved pretty gifts from Paris!
Once the candy was gone, she used the tin to store hairpins. At night I would watch her seated at her dressing table, combing waste-length white hair. In the morning, she would pin it up again. I marveled at this routine.
The tin has been mine since I was in high school. I have kept it with me always, storing photographs in it and admiring its pattern. It smelled of talc and lavender and that tinny odor these containers acquire over time.
Mémére’s room smelled of lavender. Outside her window, there were lilac bushes and on breezy days in May, they, too, would perfume the tidy little blue-and-white room.
The pattern on Mémére's tin said "French" to me. In the flowered design were the colors she wore: Black, and violet and periwinkle, often with a touch of yellow. Together with hundreds of old photographs of women in dark dresses with lace colors and men with dark eyebrows and moustaches, the pattern in the tin formed my idea of what was French and what was not.
Of course, times have changed. Québec and France have changed. But I still treasure this little tin and the images and memories it continues to evoke.
Today, I stuck my nose into the tin. There was the faintest scent of lavender.
I have learned to accept and appreciate these things.
Update: I have since stumbled across this tin in antique shops. I am still not sure what it really held. I still treasure it.
I do not know its provenance. I believe it once held bonbons, and quite probably came from Paris for one of her grandsons was living there when I was a child and he was generous and frequent with his gifts.
How Mémére loved pretty gifts from Paris!
Once the candy was gone, she used the tin to store hairpins. At night I would watch her seated at her dressing table, combing waste-length white hair. In the morning, she would pin it up again. I marveled at this routine.
The tin has been mine since I was in high school. I have kept it with me always, storing photographs in it and admiring its pattern. It smelled of talc and lavender and that tinny odor these containers acquire over time.
Mémére’s room smelled of lavender. Outside her window, there were lilac bushes and on breezy days in May, they, too, would perfume the tidy little blue-and-white room.
The pattern on Mémére's tin said "French" to me. In the flowered design were the colors she wore: Black, and violet and periwinkle, often with a touch of yellow. Together with hundreds of old photographs of women in dark dresses with lace colors and men with dark eyebrows and moustaches, the pattern in the tin formed my idea of what was French and what was not.
Of course, times have changed. Québec and France have changed. But I still treasure this little tin and the images and memories it continues to evoke.
Today, I stuck my nose into the tin. There was the faintest scent of lavender.
I have learned to accept and appreciate these things.
Update: I have since stumbled across this tin in antique shops. I am still not sure what it really held. I still treasure it.
Comments
Thank you, Brilynn!
Maybe tomorrow.
The tin is so lovely, I wish I had one like it!
How wonderful that we can share this stuff — even though we've never met — I love the Internet.
Grandma Bauer 1898-1987
Terry B, I think food people are more in tune. I think one creative endeavor feeds (no pun intended) another and by the same token I think appreciation for sensory experiences extends beyond taste. (Which reminds me, I am reading a biography of Julia Child by Noel Fitch Riley — Julia was quite a lusty lady!)
As I always say, Jan, appreciate the simple things and you will always be happy.
I'll keep it forever.
That's why I don't have much problem when something breaks. The pain of missing something is part of the process.
It's also why there are things that have no value (maybe are really junk or clutter) and there is no possibility to throw them out because they ground and connect us.
Beautiful post.
Tanna, I have taken a Velveteen Rabbit approach to things and recently, I have enjoyed restoring chips and cracks and things. I no longer worry about imperfections. It is liberating!
I have many from my mother and my aunt and many times just touching them brings their spirit close.
I can see why this tin represented "French" to you. It's just lovely and the colors remind me of Provence.